Jessica Abel -Author. Cartoonist. Teacher. Coach.
I help people whose imagination and creativity are the ultimate source of everything they do in their professional life stop grinding and start carving out the deep focus needed to finish—and launch—the game-changing work they want to be known for.
Have you ever wondered just how people like Ira Glass, Jad Abumrad, and Alex Blumberg really make their unforgettable stories? How they make them feel so urgently necessary? And if the story isn’t over when we arrive at our destination, what makes us spend those precious extra minutes sitting in our car or on a park bench listening to how things turn out, rather than arriving at our destination on time?
Have you ever wished you could learn their secrets?
Out on the Wire is an investigation into the narrative techniques and ideas of the new generation of great American journalists/storytellers on the radio and podcasts. Inside, you’ll discover the nitty-gritty of how shows like This American Life, Radiolab, Snap Judgment, Planet Money, the Moth Radio Hour, Radio Diaries, and 99% Invisible weave their magic spell.
Not only that, but it’s graphic nonfiction (that’s comics to the layperson…), which means you get to actually see these producers grapple with the big issues of story, and work them through, step by step.
…And sign up to hear more about the Out on the Wire podcast and I’ll send you a 9-page Out on the Wire excerpt that gives you tools to test your story ideas!
Featuring producers from
This American Life (Ira Glass and others)
Snap Judgment (Glynn Washington, Stephanie Foo, Mark Ristich, Pat Mesiti-Miller, Julia Dewitt)
Planet Money (Adam Davidson, Alex Blumberg, Chana Joffee Walt, David Kestenbaum, Robert Smith, Zoe Chace)
Radiolab (Jad Abumrad, Robert Krulwich, Sean Cole, Soren Wheeler)
The Moth Radio Hour (Jay Allison and Catherine Burns)
99% Invisible (Roman Mars)
These people are pretty much the smartest, coolest people out there in any art form (other than comics) and they know their stuff. I have done my best to draw together their insights and knowledge in a way that will be useful to storytellers in all media.
They also have a LOT to say, more than I could fit into the book, so…
Check out the podcast
Out on the Wire: the Show is a podcast that examines storytelling through the lens of what I learned through researching and making Out on the Wire (the book).
Using the tape from my interviews with New Masters of Radio, my own experiences as a cartoonist and writer, and the help of radio producer Benjamin Frisch, The Out on the Wire Podcast breaks down storytelling step by step, week by week.
Go behind the scenes of our most ambitious radio programs and witness an intensely creative moment in a medium that’s changing the way we tell stories.
Every week, millions of devoted fans download or tune in to This American Life, The Moth, Radiolab, Planet Money, Snap Judgment, Radio Diaries, 99% Invisible, and other nonfiction narrative radio shows. The compelling stories they produce are almost cinematic in scope and approach—intricately weaving sound into robust and engaging storytelling. A lot goes into making the shows we love. Anchored by surprising characters and big questions, their stories are tightly structured, edited, and soundtracked, and they introduce us to authentic voices from every walk of life.
Radio and podcasts today are entrepreneurial and DIY; there’s a can-do, collaborative spirit that characterizes people working in this field, fearlessly breaking new artistic ground. And more than ever, given the excellence and explosive popularity of shows like Serial, it’s clear that the creative producers working in this medium hold the key to storytelling secrets that the rest of us must learn.
Out on the Wire, a documentary comic, literally illustrates those secrets, gleaned straight from those on the frontlines of radio’s revolution. With the help of This American Life’s Ira Glass, cartoonist Jessica Abel uncovers just how producers construct a story, spilling some juicy insider details along the way. Jad Abumrad of RadioLab talks about chasing moments of awe with scientists, while Planet Money’s Robert Smith speaks candidly about his slightly embarrassing strategy for putting interviewees at ease. And Abel reveals how mad—really mad—Ira Glass becomes when he receives tough edits from his colleagues. Informative and inventive, Out on the Wire shows us the magic that makes these shows great and why we can’t stop listening to them.